Tag Archives: concerts

Interview: Matthew Caws from Nada Surf

Those were the days when I went to germany for a bit of family and friends time. But the reason I chosed this special time was the small but beautiful Husum Harbour Festival in the north of germany, very close to my beloved Hamburg. And the fact, that Nada Surf singer Matthew Caws will play the sundaymorning show. We arrived at saturday afternoon in the very typical north german weather: rain, cold and wind. So no big difference to the icelandic weather. Husum is a place where you are in holidays, getting away from stress at work, from the big city life, from everything. You can breathe the clear air of the ocean, hear seaguls scream, see the tide coming and going. And so is the cozy Husum Harbour Festival, which is more an indoor singer songwriter festival which take place in the cultural centre called Speicher, where a big bunch of musicians already played.

After I already enjoyed the great first concert ever of projektor and the lovely lines of Florian Ostertag and right before the always wonderful Talking To Turtles and the dark beauty Scott Matthew, I went up to the artist area to meet Matthew and had a little talk with him.

Hi! How are you?

I am good.

You came from Hamburg, right?

Yeah, I played in Molotow. I am saying this that Nada Surf hopefully will play another 1000 / 2000 concerts but recently I am playing by myself and I really enjoy it. I haven’t done this before last year, but I live in Cambridge, England and Germanwings is going for cheap almost everywhere.

What’s the difference between the solo shows and the ones with the guys?

It’s really peaceful cause there is not this summercamp feeling.
You know there are this personality types like introverted extrovert and I feel like that. When I am by myself both sides of this are satisfied…busy social evenings with a lot of interaction and then all day by myself travelling.

So you also take your time to see the surroundings?

Sometimes. Today we had a slow drive and we were at the place where is the dam. We had shrimp in a bun and matjes or herring and everything what you eat here. Also on Nada Surf tours I try to bring a folding bicycle and put it in the back of the bus. And some days, when you wake up early, not in purpose, or when you are arriving in a new town at eight in the morning cause you were driving over night. Then you get up at one, have soundcheck at four and you would never see this town. And then I remember this little bike and go and explore the town. Otherwise it would happen all the time, that you don’t realise in which city you are.

Does this tour now means that you want to do a solo album?

I don’t know. I mean…not on purpose, it’s no goal. I have another record which is almost finished with Michael Lerner from Telekinesis. He is a friend of mine and the story how we recorded the first song is quite funny. I had a good parking space in Brooklyn, he put his van there and we were hanging out together. I like the things he is doing, he likes the things I am doing. So we were just playing a bit music, like thirty seconds of something. And later that night we were sitting in my house, drinking beer and he said: “We should record that song”. I said in between a sip of beer: “Yeah, sometime”. And he was like “Now”. We just had this tiny thirty seconds and he was very serious when he asked me for paper and a pen. And short time later we were writing it, we were recording it on the computer on my coffee table. And we put it on the record, you can hear the dogs barking upstairs. Why I am telling this? Ah, there is no purpose in the things. As you can see, sometimes the things just happening. Maybe there are more of this spontanous records or the next Nada Surf records are coming faster. Who knows!

Husum Harbour 2015

© Doreen Reichmann

So there is no really plan, like we have to make a new Nada Surf album every one and a half year?

We tried it sometimes. But after the last one we took a break, which we never did before. Our 20st anniversary is next year, we never really stop to work but now and then little breaks. So I did the Minor Alps record with Juliana Hatfield.

Now I am a bit in a panic, cause I thouht the new record is almost done but then I realized that we need a couple more songs.

Ok, so there will be a new Nada Surf album. When are you planning to release it?

I don’t really know but I hope in september.

That sounds great, I didn’t expect it that early.

You never know. Let’s keep the fingers crossed for this.

Yeah! Imagine yourself being in your 70s. Will you be still a musician?

If I would still enjoy singing, yes. People are aging differently, some people lose their voices. As long as I like the sound I am doing it cause I like the act. But if not – for a reason – I would write a bit more. That was always an ambition of mine which I never did that much. My mother is a writer and she is always saying “You need to write write write!”. I think everybodys life story is super interesting, everybodies interpretation of life is totally fascinating and every single person is sitting on a great book.

That’s also an ambition of mine. But no biography, more a fictional story with of course the influences I got in my life, the people I met, the stories I heard. Your own life is mixing up with others lifes, this could be a great plot.

I totally agree. And it sounds like it could be a flexible idea. I am wondering sometimes if finding your voice in the way you are writing is more important. There are some people like Nicholson Baker, David Foster Wallace who passed away – the way they think seems so interesting. I don’t really care about what they are writing about. Actually I am reading the book “My Struggle” by a guy called Karl Ove Knausgård – it’s an autobiography, and it’s amplified. Often the people who are writing this kind of books are just pumping up the drama and this is like: “I made coffee, then I drink it” and then interesting things happen.  It’s just like life, like you drop a needle to the record, everything happens in the real time.

I like writing songs, I am not doing it as often as I like to. Some friends of mine do the “One song a day” thing. But I never had the discipline but I really would like to do that.

Would this not be a big pressure for yourself? If you can’t write one song a day you feel worse.

Yes but it would also train you to not worry about standards so much. Even if it is a bad song, just finish it. Which doesn’t mean that it’s good to write a bad song but good to feel free. The problem with not writing for a while and then start again and happens to me now, cause I just startet to write again, is that you are so self-conscious about what you are saying and you think everything sounds bad…and in a way it is. You are not free, you are thinking about thinking.

Are you throwing away ideas very often, are you very critical with yourself?

Yeah, but not as a negative critical thinking. It’s not all bad and to be honest as see that 90 % isn’t that good is ok. It is worth going through it. You might be glad to find the 10 % which are great.

Are there songs from the old records which you don’t like so much anymore?

Yes, a few. There’s one weird one, it’s “Mothers day”. It’s the opposite of “Robot” which is about male sexual violence. I am still very proud of this song, it still says what I wanted to say and what I am thinking.

But the story about “Mothers Day” is before we made the follow up record to “Let Go”, the guy from the record label was expecting us to make a new hit. He was always looking over my shoulder and said that we don’t have this kind of song yet. I was kind of new in this thing in this time, so I tried to write a hit in a cheesy way. I thought about this kind of guy, out of time, out of the idea of gender, not relating other women, not seeing them in a human enough way, like their sister, mother. It was the time of rap rock, sodom metal rock. There was a band in the practice space next door. They played a special riff and we heard it through the electric plug and I think I kind of stole it for “Mothers Day”. To be preachy in a song is good as long it is affective instead of rising your finger into the air and nothing is happening. I think the song isn’t catchy enough. So I think I feel sorry for “Mothers Day.

Husum Harbour 2015

© Doreen Reichmann

I am not sure about that, but I realised that you are not playing the french songs in germany.

Yeah, we were playing them a bunch of times. French is a difficult language to play and to write in. I’ve got a pet theory about why french people are so proud and difficult of their language. Maybe I am totally wrong but nevermind. France is uniqe in Europe. It has all this borders and is surrounded of so many cultures. Even England is almost a border. And England and Germany and Spain are so powerful cultures. So they have to defend all of their language and cultural things and are so intense about it. In english they encourage you to use it like you want. I don’t know if it is like this in icelandic or german. In french the standards of expressions are so high and it is not possible to play with it as a non french speaker. Serge Gainsbourg is doing it, he is a magician in french word games, but he can. Even if we in the band are speaking french, it’s always challanging to do it at the stage but I like to keep trying.

What are your next plans?

I am going to Ibiza, to visit Daniel and have some brodown with him. It’s an american expression which means, to hang out, talk to your friend, doing things which friends, bro’s do. And then I will participate in a interesting show. I will play a philosophical conference in New York and its a 24 hours thing in a beautiful french cultural center. And I am playing at 6am. Whoohooo, this is early. But I like this weird things.

Sounds great! So thank you for your time and for this talk!

Thank you too!

I can’t tell it often enough…thanks to Sebastian from Husum Harbour Team who made this real! And thanks to Doreen who took some nice pictures. And of course thanks to Matthew who made me forget about my shaking hands cause of a really easy and kind talk.

After a really great breakfast on sunday morning, which was filled with lovely decorated salads, crunchy bacon, delicious salmon, creamy cheeses and hot coffee and sparkling sparkling wine, we sat down for listening to Nada Surf songs, played by the maybe a bit excited Matthew Caws. After a few sips of the sparkling sparkling wine, he was talkative, funny, yeah quite entertaining. He also introduced us the new song “Friend Hospital” of their upcoming new album, with the working title “You Know Who You Are”. As we all were enjoying his songs, I was impressed of the text of his dad, which he read to us. Nothing new to hear, but indeedly inspiring. The whole thing, the whole time, no excuses, no exceptions. And in the end, the sun was shining. I’m just a happy kid!

Want to read the interview in german? Go over to Concert News and enjoy!



Eine Liebe zur Musik, eine Liebe zu den Tönen. So könnte der Arbeitstitel der PASS!ON VICTIM-Macher heißen, denn am 25. Januar holt das Hamburger Label popup-records schon zum fünften Mal Bands auf die Bühne, die man beim Reinhören schnell ins Herz geschlossen hat oder sie schnell in selbiges schließen wird, wenn man sich überraschen lassen möchte. Dieses geschah mit mir, als ich mich durch die Dänen von Striving Vines lauschte. Die wohlig warme Stimme hat mich irgendwo dahin gebracht, wo das Feuer knistert, wo es gemütlich ist. Diesmal scheint die kleine feine Konzertreihe unter einem mehr gitarrenlastigen Stern zu stehen, brachten noch Oscar And The Wolf ein paar elektronische Klänge in ihr Live-Set im Oktober letztes Jahr. Denn mit Kevin Devine findet man einen Künstler im Programm, der schon mit Manchester Orchestra unterwegs war (und sein wird auf deren kommender US-Tour) und solo eher die ruhigeren Singer-Songwriter-Töne anschlagen wird. We Invented Paris dagegen heizen dem geneigten Publikum dann wieder etwas ein, bevor das Knust abschließend der Motorbooty Party des Molotow Asyl gewährt und die Füße blutig getanzt werden. Tickets kosten an der Abendkasse 19Euro, aber noch habt ihr Zeit, euch im Vorverkauf für 16,30Euro eine Karte z.B. bei der Theaterkasse Schumacher zu holen.

20:00 – Einlass
20:45 – 21:25 Striving Vines
21:50 – 22:35 Kevin Devine (solo)
23:00 – 23:50 We Invented Paris
0:00 – Motorbooty Party

Festivals auf der Vulkaninsel…

Die größte Vulkaninsel der Erde lädt nicht nur immer mehr neugierige Touristen in seine Einöden und zu seinen Naturwundern, sondern auch immer mehr Musikbegeisterte zum über die Grenzen bekannten Iceland Airwaves. Doch hat Island weit mehr als dieses Festival in der vierten Woche im Oktober zu bieten, wo es durchaus schon knackig kalt sein und Schnee fallen kann.

Auch wenn die Sommer wesentlich kühler als bei uns sind, finden auch dort Festivals in diesen Monaten statt. Ach, eigentlich finden da das ganze Jahr über Festivals statt.

Vom 13. bis 15. Februar 2014 findet das Sónar Reykjavik statt und nennt sich selbst “International Festival Of Advanced Music”. Angelehnt ans gleichnamige Sónar, welches jährlich im Juni in Barcelona ausgerichtet wird, bewegt sich das isländische Sónar in und um die Konzerthalle Harpa und heißt bis zu 3500 Gäste aus aller Welt willkommen. Im Februar werden unter anderem folgende internationale und nationale Bands, Musiker und DJs auftreten: Trentemøller, Paul Kalkbrenner, Bonobo, FM Belfast, Starwalker, James Holden, When Saints Go Machine und Hjaltalín.
3-Tagesticket (ohne Flug) für 109Euro.

Im Sommer dann, vom 10. bis 12. Juli 2014 findet auf dem alten NATO-Stützpunkt in Keflavik (praktisch, gleich in Flughafennähe) das ATP Iceland statt. ATP steht dabei für All Tomorrow’s Parties und steht auch für Konzert-Präsentationen, ihr eigenes Label und eben das Festival im Sommer, zu dem zwischen 4000 und 5000 Besucher erwartet werden, Bands für 2014 stehen noch nicht fest (Nick Cave spielte 2013) und ab sofort gibts Tickets ab 95 Euro (Early Bird).

Noch mehr Festivals findet ihr auf der Seite von IMX (Iceland Music Export).

Lieblingscover: 911 (Wycleff Jean)

Am gestrigen Dienstag durfte ich zum zweiten Mal in diesem Jahr einem Konzert der Wahlberlinerin Kat Frankie beiwohnen. Damals noch solo beim Husum Harbour, gestern im großen Saal des Kampnagel. Auch wenn sie den Saal nicht ausverkaufte, die Plätze aber gut gefüllt waren, schaffte sie es zusammen mit ihrer Band, das Publikum zum bedächtigen Lauschen zu bringen.

Gelauscht wurde dieser wahnsinnig schönen Stimme, die jede Art von Räumen ausfüllt, Doch nicht nur das. Bei Kat Frankie hat man immer das Gefühl, dass sie voller Leidenschaft dabei ist. Das steckt nicht nur in ihrer Stimme, sondern ihre ganze Körpersprache gibt sich der Musik hin. Ob sie nun leicht ihre Hände zum Takt bewegt, man ein kaum merkbares Lächeln über ihre Lippen huschen sieht oder sie ausgelassen und mit geschlossenen Augen tanzt: sie ist da und irgendwie voll versunken, in dem was sie tut. Deshalb wächst ihre Fanschar sicher immer mehr an, nicht zuletzt weil man sie beim wunderbaren TVNoir bestaunen oder ihrem letzten Album “Please Don’t Give Me What I Want” lauschen kann.

Ich bin längst infiziert, seit gestern ist sie wieder sehr präsent. Und beim Suchen fand ich folgendes Video zum Wyclef Jean-Song “911, welches durch mich heut um einige Abspielzahlen nach oben geschossen sein muss.

Always Love…

Musikalisch gesehen bin ich manchmal ein Spätzünder, will ich oft erst dann auf den Zug aufspringen, wenn der schon längst im nächsten Bahnhof ist. Ich nehme mir jedoch heraus, selbst zu entscheiden wann und ob ich etwas mag oder nicht. Und das kann eben auch ein bissel später sein. So geschehen mit Nada Surf. Der Name ist mir damals schon lange aufgefallen aber irgendwie waren die Zeiten von Spotify und schnell mal reinhören noch nicht so aktuell, wie heute. So verliebte ich mich Hals über Kopf in der Studentendisco in “Popular”, der von mir bis heute am wenigsten gehörte Nada Surf Song. Danach war ich Feuer und Flamme, reiste zu allen Konzerten die in meiner Nähe waren, kaufte alle Alben die sie rausgebracht hatten. Und diese Liebe hält an und wird vermutlich bleiben.

Diese Band ist ist mehr als Musik, ihre Songs sind seit langem ein guter Begleiter, ein guter Freund. Januar 2006, als ich auf dem Weg zum Flughafen war, um Urlaub in Nordirland zu machen: Die Sonne ging grade am Horizont auf, als ich außer Atem in dem gerade so erreichten Zug saß und mir auf meinen Kopfhörern “Sit on a train, reading a book, same damn planet every time i look. Try to relax and slow my heartbeat, only works when i’m dead asleep. Been thinking and drinking all over the town, must be gearing up for some kind of melt-down.” entgegensäuselte.

Mittlerweile dürfte ich sie um die 15 Mal live erlebt haben. Es gab wahnsinnig gute, euphorische, tolle Konzerte, aber es gab auch – zum Ende ihrer vorletzten großen Tour – eher ernüchternde Konzerte, weil die Band dringend Urlaub brauchte. Nachdem sie 2011 beim Rolling Stone Weekender wieder “da” waren, haben sie im März 2012 alles wieder gut gemacht, ein wunderschönes Akustik-Konzert im Michelle Records und danach ein wahnsinnig energiegeladenes Konzert in der Markthalle gegben.

Zwar hat sich ihre Musik ein wenig verändert, bewegt sich nicht mehr im manchmal wütenden Aufbegehrungsgefilde, sondern plätschert eingängig vor sich hin. Live lassen sie das Plätschern aber meist zu Hause. Zum Glück! Schön auch, dass Matthew Caws zusammen mit Juliana Hatfield das musikalische Projekt Minor Alps ins Leben gerufen haben, deren Album “Get There” am 15. November veröffentlicht wird.

Und heute Gänsehaut…beim Hören von alten Songs. Aber bei wem bleiben die Augen trocken und das Herz kalt, wenn man Zeilen wie folgende hört!?

And i almost love this town
when i’m by your side.
You woke me from a long sleep
And i’m almost back
Closer than ever
To finding the hidden track
If i told you the truth
You wouldn’t like what i said
I almost believed i was dead
There’ll be no more waiting
You’re gonna melt all the ice
In our heads
There’ll be no more crying
You’re gonna make it all better instead.